![smelling like a rose stone temple pilots lyrics smelling like a rose stone temple pilots lyrics](https://i.pinimg.com/originals/ce/4b/52/ce4b523cb07e9c6ce37da1f12cfe03d2.jpg)
So back then, all the bands that were getting signed – Sonic Youth, Red Hot Chili Peppers, Radiohead, Stone Temple Pilots, The Black Crowes – had to go gold to make money. Well, back when people actually still purchased product and record companies and artists made money, you had to pay your debt back to the record company first, and then once you passed that and broke even, you started being able to pocket everything. Jellyfish was always in the red because like a lot of bands, we took what we could get to make our art, and then worried about paying it back later.
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What plagued any band even more was then making the money back. We started spending our art budget as fast as we could.īW: And working with the budget while still creating the product you wanted was, from what I understand, always something that plagued Jellyfish, right? To rent any of that for a day – even a bed or a plexiglas piano that requires movers – adds up really fast. A lot of it was used on the record, and we just tried to have as much fun with it as possible.Īnd all of that stuff cost us. It was rentals from friends, and I’d started collecting keyboards at the time, but anything that’s juicy in there is probably not mine. And then we just started throwing whatever vintage equipment in there that we could get our hands on. We got some of that happening, but nowhere near what we wanted. We wanted it even more trippy and surreal, the way a lot of the Bellybutton art is, with fake trees and a lot of Hollywood props. The stuff that actually made it into that picture is only a fraction of what we wanted.
![smelling like a rose stone temple pilots lyrics smelling like a rose stone temple pilots lyrics](https://i.pinimg.com/originals/15/f7/80/15f780290f6f89b91f3a88ed079485a5.jpg)
We wanted to take a picture like that, but make it more colorful, psychedelic and surreal. We were very much inspired by the inside of Queen’s Jazz album where they did that – they took a photo inside the Montreux studio. Our engineer-producer Jack enjoyed the mixing board in there, so we were doing a lot of overdubs and preliminary mixing in that room. That’s a very large room at what was Ocean Way's studio where you would record orchestras and things like that. Was that the vibe, and were those things in the studio anyway? I’ve always been curious, though, if what is portrayed in the picture – the play equipment, unusual instruments, and bed - had anything to do with the actual studio environment during the recording of that album. Talks New Projects, Jellyfish, Working with Beck, and MoreīW: While we're on photographic history, I know it was mentioned in the Jellyfish biography that you brought gear into the studio for the iconic Spilt Milk liner notes photo.